Francis Kent Lorenzo De Medici and the Art of Magnigicence
F. W. Kent
Princely Citizen
Lorenzo de' Medici and Renaissance Florence
C. James (ed.)
VIII+372 p., 156 x 234 mm, 2013
ISBN: 978-2-503-54171-6
Languages: English language, Italian, Latin
Retail toll: EUR 95,00 excl. tax
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Online content: http://www.brepolsonline.cyberspace/activeness/showBook?doi=10.1484/K.LMEMS-EB.5.112221
This drove of sixteen essays by F. W. Kent reassesses the political and cultural part of Lorenzo de' Medici, de facto ruler of Florence betwixt 1465 and 1492.
Lorenzo de' Medici (1449–92) was in his ain time 1 of the most renowned of Renaissance figures. His myth has continued to fascinate both scholars and the many tourists who are drawn by it to explore what remains of the Medicean presence in Florence. Lorenzo's first English biographer, William Roscoe, described him as the most remarkable man who had ever lived in ancient or modern times. This collection of essays explores Lorenzo's apprenticeship equally the de facto ruler of Florence and the ways by which he exerted command over friends and clients to ensure the ascendancy of the Medici dynasty. The essays identify the religious and artistic patronage of Lorenzo in the context of his political career and explore other of import aspects of his emergence as the princely citizen of a still proud democracy.
Francis West. Kent (1942–2010) established his reputation every bit a cultural and social historian of Renaissance Florence with his commencement monograph, Household and Lineage in Renaissance Florence. He turned his attention to Lorenzo de' Medici in the tardily 1980s, producing a steady stream of essays, collected here for the first time, and a major study of Lorenzo'southward fine art patronage, Lorenzo de' Medici and the Art of Magnificence. After the death of Nicolai Rubinstein in 2002, the first general editor of the multi-volume critical edition of Lorenzo de' Medici'southward letters, Kent took charge of the ongoing project and oversaw the publication of several more than volumes. His forthcoming biographical study of Lorenzo's early career volition be published by Harvard University Printing.
Tabular array of Contents
Introduction (Carolyn James)
The Young Lorenzo, 1449–69
Lorenzo de' Medici and the Dear of Women
Sainted Female parent, Magnificent Son: Lucrezia Tornabuoni and Lorenzo de' Medici
Lorenzo de' Medici, Madonna Scolastica Rondinelli, and the Politics of Architectural Patronage at the Convent of Le Murate (1471–72)
Lorenzo de' Medici at the Duomo
Lorenzo de' Medici'due south Acquisition of Poggio a Caiano in 1474 and an Early on Reference to his Architectural Expertise
Heinrich Isaac's Music in Laurentian Florence: New Documents
New Lite on Lorenzo de' Medici'southward Convent at Porta San Gallo
Bertoldo 'Sculptore' and Lorenzo de' Medici
Patron–Client Networks in Renaissance Florence and the Emergence of Lorenzo as 'Maestro della Bottega'
'Lorenzo … amico degli uomini da bene': Lorenzo de' Medici and Oligarchy
Unheard Voices from the Medici Family Archive in the Time of Lorenzo de' Medici
Lorenzo de' Medici and the 'Lads from the Canto della Macina'
Prato and Lorenzo de' Medici
The Expiry of Lorenzo: 'The Globe Turned Upside Down'
Review
"In its scope and item, this book will serve as a wonderful complement to Kent's previous Lorenzo de' Medici and the Art of Magnificenceand a source of inspiration and practical communication for new researchers in the field. It will besides be useful for those of us who look forward to the completion of the critical edition of Lorenzo de' Medici'southward Lettere, (...) Professor R. Rubinstein started the projection, and Bill Kent contributed to it for several years as general editor before his untimely death. Lovingly edited past Carolyn James, this wonderful collection of essays volition also aid usa chart our way through that wondrous sea of letters." (Carles Gutiérrez-Sanfeliu in: Parergon, vol. 31, 2014, p. 184-185)
" (...) this collection (...) gives a powerful impression of the achievements and the method of piece of work of i of the leading specialists of the history and gild of Renaissance Florence." (Lorenz Böninger, in: Renaissance Studies, 29.three, 2014, p. 466-467)
"Well-written and clearly edited, these essays are the work of a master reviewing a fruitful career. James'south editing is primarily for consistency and clarity north language and formatting; boosted bibliographies accept been added, along with unpublished manuscripts in footnotes. The archival work here is thorough and clear-headed, and Kent is careful to residuum assertions with evidence, or with tentative hedging where evidence is thin, and to support his arguments with ample reference to a wide body of English language, French, and Italian scholarship. Minor repetitions or confusions between essays reflect the fact that they were written in different periods, for different purposes, and do not backbite from readability. Demonstrating how Lorenzo's dominion over Florence was the product of a lifetime's preparation and practise, Kent shows how Il Magnifico was able to balance the contradictory roles of prince and citizen." (Colin Rose, in: Renaissance and Reformation / Renaissance et Réforme 38. 4, 2015, p. 198-200)
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